Showing posts with label Angelina Jolie. Show all posts
Showing posts with label Angelina Jolie. Show all posts

Thursday, 4 December 2008

The Changeling


When a movie receives mixed reviews, it is often a sign that it is a flawed film. So my expectations of Clint Eastwood's latest directorial effort The Changeling were not great before we saw it last night. The reviews were wrong to be cautious. (A notable exception being the great Philip French in the Observer, whose review is very apt). The Changeling is a triumph. With Angelina Jolie in her best role yet as Christine Collins, a distraught mother whose son disappears in 1920s Los Angeles only to have another child 'returned' to her, and John Malkovich as a crusading Presbyterian pastor, the movie is taut, dark and gripping. Despite its length at well over two hours, there is little wasted in this film: its largely true tale of police corruption, appalling mental health procedures and a mother's undimmed fight for justice is utterly compelling. Do not miss it.

Friday, 28 September 2007

Daniel Pearl's legacy

We caught A Mighty Heart last night at the cinema. Angelina Jolie certainly makes her presence felt as a pouting and not wholly believable Mariane Pearl in Michael Winterbottom's compelling account of the kidnap and murder of her husband, Wall Street Journal journalist Daniel Pearl (left) by Islamist terrorists in Pakistan five years ago. But the strongest performances really come from the supporting cast, especially Irrfan Khan as the industrious police chief trying to find Pearl and Archie Panjabi as an Indian journalist working for the Journal. I know that Pearl's father thought the story tried to create a moral equivalence between the kidnappers and the Americans for Guantanamo Bay. Normally I would agree with Harry's Place on these matters. Not this time. While there are a couple of short gratuitous shots of the prisoners on a TV news bulletin, it is hard to sustain the argument that this is a reflection of the whole film, which does nothing to glorify Pearl's murderers; quite the opposite. Indeed, it starkly reminds people of the brutal way Pearl was killed and celebrates his legacy. Particularly well captured are the chaos of Karachi and the extraordinary odds stacked against the Pakistani police in stamping out the Al Qaeda support networks in their cities, let alone along the Afghan border. Despite Angelina's pouting, this is well worth seeing.