BAFTA may have got it right with best actress for Julie Walters as Mo and recognition for Mad Men and The Thick of It. But what could have possessed them to award Kenneth Branagh Best Actor for his simpering, unreal portrayal of Kurt Wallender? (There are many other series in which Branagh has been superb, just not this one). Don't the Academy know that there is only one actor who captures Mankel's brilliant Swedish detective perfectly - and that is Krister Henriksson (left), who has played the part in the Swedish series that is infinitely better than the BBC version. Thanks to BBC 4, we know this. Why doesn't BAFTA?
A blog about politics, education, Ireland, culture and travel. I am Conor Ryan, Dublin-born former adviser to Tony Blair and David Blunkett on education. Views expressed on this blog are written in a personal capacity.
Showing posts with label BAFTA. Show all posts
Showing posts with label BAFTA. Show all posts
Monday, 7 June 2010
This man is the real Wallender
BAFTA may have got it right with best actress for Julie Walters as Mo and recognition for Mad Men and The Thick of It. But what could have possessed them to award Kenneth Branagh Best Actor for his simpering, unreal portrayal of Kurt Wallender? (There are many other series in which Branagh has been superb, just not this one). Don't the Academy know that there is only one actor who captures Mankel's brilliant Swedish detective perfectly - and that is Krister Henriksson (left), who has played the part in the Swedish series that is infinitely better than the BBC version. Thanks to BBC 4, we know this. Why doesn't BAFTA?
Monday, 11 February 2008
A brave (and right) BAFTA decision
Last night's best actress award to Marion Cotillard was a brave decision by BAFTA, and the right one. Her outstanding performance as Edith Piaf in La Vie en Rose was the best by an actress in a leading role last year. If Atonement won any awards, one should have gone to the brilliant 13-year old Saoirse Ronan for her supporting role rather than the less convincing Kera Knightley. It was good to see the German drama The Lives of Others winning best foreign film; but it was more richly deserving of the best film mantle than Atonement, which really did not live up to the hype (Ronan's performance aside).
Labels:
Atonement,
BAFTA,
film,
Kera Knightley,
La Vie en Rose,
Lives of Others,
Marion Cotillard
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